Steven Le

Causten Round is a geometric sans serif font family with round corners and maintains rationality in designing each form. With use the sharpness of the eyes, and remain logical, so that balance is maintained in each form. So, it will get a clean, neat, and perfect shape.

Causten Round comes with 9 weights and a matching oblique, making it 18 styles. It makes it perfect for all creative projects. Also, some alternative glyphs will be an attractive choice.

Approach Mono is the fixed width version of Approach. A utilitarian low contrast font, a bit mechanical but plenty of character. This version shares its main features with the original one, but it has a more prominent and visible punctuation. The more obvious use of a mono would be in tables, programming code or “in progress texts”, but not just that. Approach Mono can be used in the modern communication, bringing an aseptic voice to brochures, advertising, identities and any other piece of communication.

Kanyon is a family of typefaces created from basic geometric forms based on the equal width system. Its clean and neutral structure and 3 different widths provide ease of use in different design channels.

With its rich OpenType features, multi-language support and small capital characters, it has a wider usage area than its counterparts.

Ideal for packaging, labels, routing designs, mobile applications, brand designs, logos, all kinds of presentation and editorial designs, indoor and outdoor printing works.

Pixter straddles the lines between the extreme forms of grid based pixel fonts, and more conventional grotesque fonts. Its array of styles create a palette of textures to work with multiple scenarios, from large format display to oversized passages of copy.

Inspiration for Pixter initially grew from old computer bitmap fonts, but branched out into Swiss and dutch graphic design, such as the graphic work of Josef Müller-Brockmann and typography of Wim Crouwel.

Apura stands for a clear geometric language based on two main shapes: a circle and a square. It‘s the perfect font for headlines, posters and logos. You can create amazing experimental designs using Apura as well as unique corporate identities.

The font includes uppercase and lowercase characters, both latin and cyrillic, alternates, numbers, punctuation marks and symbols.