Steven Le

Chamelton is a massive layered font family that gives a wide range of creative choices for design creation using combinations of layers, colors, and weights. The collection includes 109 Sans Serif all-caps fonts, three weights monoline script, plus 198 extras for even more creative support.

The base of Chamelton is a classic Sans Serif shape intentionally designed without strong stylistic accents to leave the styling space for layer combinations and also better complementing with other fonts outside the family. It can be used as a complete design tool or as a partial element to complement your work.

Primarily Chamelton is designed for any type of text that needs to stand out and catch the eye. Identity, labels, packaging, price tags, signboards, posters and magazines, headlines, websites, apps or video footage - you name it!

Combination layers inside the subfamily and between can give tons of options. Some styles can be used only as part of a layer set, but a lot of them can be used as stand-alone fonts. Keep in mind that the layers match only within their weights.

A Chamelton font family is offering You:

- Chamelton 10 Display - 7 weights: Thin, ExtraLight, UltraLight, Light, Regular, SemiBold, Bold, Black.

- Chamelton 20 Outline - 3 weights: SemiBold, Bold, Black. 2 layers for each weight.

- Chamelton 21 Inline - 3 weights: SemiBold, Bold, Black. 3 layers for each weight.

- Chamelton 22 Dots - 3 weights: SemiBold, Bold, Black. 2 layers for each weight.

- Chamelton 23 Lines - 3 weights: SemiBold, Bold, Black. 2 layers for each weight.

- Chamelton 24 Emboss - 3 weights: SemiBold, Bold, Black. 3 layers for each weight.

- Chamelton 25 Gradient - 3 weights: SemiBold, Bold, Black.

- Chamelton 30 3D - 3 weights: SemiBold, Bold, Black. 4 layers for each weight.

- Chamelton 31 Extrude - 3 weights: SemiBold, Bold, Black. 4 layers for each weight.

- Chamelton 32 Divided Extrude - 3 weights: SemiBold, Bold, Black. 4 layers for each weight.

- Chamelton 33 Flat Shadow - 3 weights: SemiBold, Bold, Black. 2 layers for each weight.

- Chamelton 34 Drop Shadow - 3 weights: SemiBold, Bold, Black. 4 layers for each weight.

- Chamelton 35 Gap - 7 weights: Thin, ExtraLight, UltraLight, Light, Regular, SemiBold, Bold, Black

- Chamelton 36 Script - 3 weights: Regular, Bold, Black.

- Chamelton 40 Extras - 198 graphic elements: Logos, Banners, Arrows, Stripes, Flags, and 

Labels.

It is very easy to create a layered multi-colored font - just layer them over the top of one another and give them a different color. Chamelton works great in any graphics software that allows you to use layers. For Adobe Photoshop, Adobe Illustrator, Adobe InDesign, Adobe XD, Sketch, and Figma included guides with the best practice of use. Check the Specimen PDF for more information.

Hendbras is handcrafted font duo created with a brush and ink, bold and irregular baseline. Contains a complete set of lowercase, uppercase, alternates, ligatures, punctuation, numbers, and multilingual support. This font ideal for use in watercolor design or lettering style bold hand, such as posters, wedding elements, t-shirt, apparel, cover books, business cards, greeting cards, branding, merchandise, invitations and handmade quotes and more.

Viable Logic font, has a neat and clean character

new face sans serif fonts, in response to the need for innovative and new designs, for that this sans serif font family has different characters namely bold, thin and regular.

This font is simple yet neat and elegant, the design of this typeface gives it a clean, modern look and a unique style to help give it a captivating look when you use it.

This font is perfect for strong text with displays for a wide variety of branding, advertising, posters, banners, packaging, news headlines, magazines, websites, logo design, and more.

The Typorium presents a new optimized and enriched version of ITC Ellipse which first appeared in 1996 in the International Typeface Corporation typeface library. ITC Ellipse Neo design has been lightly modified. Three weights have been added (light, Medium, Extra Bold, including Italics) to the original Regular and Bold styles.

 ITC Ellipse Neo is both modern and classic. Modern in the unusual shape based on the geometric ellipse form. And classic in the structure of some letters like the lower cases c, e, g, o, s. These letters alone could come from a traditional typeface, but they fit perfectly with the atypical rest of the alphabet giving it a present-day and traditional mix. Furthermore, the ellipse shape fits naturally in the italic styles, giving the font an organic and fluid feeling.

ITC Ellipse Neo offers OpenType features such as alternate characters for upper and lower case, and an extended accented character set to support many languages. Five weights have been created for each style to offer a wide range of graphic possibilities in a tidy digital footprint.

Designer: Jean-Renaud Cuaz

Publisher: Typorium

MyFonts debut: December 15, 2020

Le Typorium présente une nouvelle version optimisée et enrichie d'ITC Ellipse qui est apparue pour la première fois en 1996 dans la bibliothèque de caractères de l'International Typeface Corporation. Le design de ITC Ellipse Neo a été légèrement modifié. Trois graisses ont été ajoutées (léger, moyen, extra gras, y compris les italiques) aux styles originaux Regular et Bold.

ITC Ellipse Neo est à la fois moderne et classique. Moderne dans le dessin inhabituel basé sur la forme géométrique de l’ellipse. Et classique dans la structure de certaines lettres comme les minuscules c, e, g, o, s. Ces lettres pourraient provenir d'une police de caractères traditionnelle, mais elles s'intègrent parfaitement avec le reste de l'alphabet plus insolite en lui donnant un mélange de modernité et de tradition. De plus, la forme de l'ellipse s'intègre naturellement dans les styles italiques, donnant à la police une sensation organique et fluide.

ITC Ellipse Neo offre des fonctionnalités OpenType telles que des caractères alternatifs pour les capitales et les bas de casse, et un jeu de caractères accentués étendu pour prendre en charge de nombreuses langues. Cinq graisses ont été créés pour chaque style afin d'offrir un large éventail de possibilités graphiques pour une empreinte numérique rigoureuse.

Introducing “Megamind” – sanserif / display font with a new look, which is stylish and flexible. Its bold, solid, clear, and strong characteristics make this font look beautiful with the right portions in your various design projects

This font is made with passionate pleasure and passionate passion applied to this font design, so this font is suitable for offline or online games, PC or smartphone games, adventure posters, children’s movie titles, food titles and logos, magazines, youtube covers, youtube cover images, social media page covers, banner headlines, children’s book titles, film titles, and more.

What’s Included :

• File font
• Web Fonts
• Standard glyphs
• Ligature
• Works on PC & Mac
• Simple installations
• Accessible in Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word.
• PUA Encoded Characters – Fully accessible without additional design software.
• Fonts include multilingual support for; Afrikaans, Albanian, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Italian, Norwegian, Polish, Portuguese, Slovak, Slovenian, Spanish, Swedish

Pata Slab: the ultra-heavy optimism we all need in 2020 

Pata Slab is the type equivalent of a catwalk stomp down a city sidewalk, a font that’s assertive, funky and more than a little sexy. Named after a colloquialism for ‘feet’, Pata features ultra-heavy slabs and contrasting hairline centers that rise from its chunky footprint. The resulting, retro-inspired vertiginous curves add instant attitude to any design. 

Developed in 2020, Pata is a type of its time.Pata is all upside, as it is a typeface with no descenders — one that elevates all characters to grow upward from the baseline (because, c’mon, we could all use something uplifting right now!) All uppercase characters were built to fit precisely inside a square, so they’re all the same width and height. The lowercase alphabet, eñes, cedillas, punctuation, numbers and symbols all follow the same height restrictions. Despite all that confinement, Pata sports standard-height terminals that connect seamlessly so there’s nearly endless options for modular ligatures. The upshot of all this meticulous awesomeness is that laying out, customizing and stacking text super simple.

Pata Slab was created by In-House International, designed Alexander Wright in collaboration with Rodrigo Fuenzalida. It's available for Opentype format (.otf) compatible with Mac and PC.

Masifa Rounded has compact, simple, functional and neutral body structure.

It has 5 widths from Normal to Ultra Condensed.

Each width includes 9 weights from Hairline to Black and their matching italics.

Also, every weight includes rich OpenType Features like Small Caps and custom number styles.

Due to its large family, it is ideal for a wide range of usage from large-scale designs to small product labels.